George Robertson, Sydney. 1884. 8vo, 207pp. Cracked at spine along ffe & mid text, only slightly shaken. Blind stamped brown cloth boards, extremities moderately worn. Pen annotations to verso of half title page & few to title page. Foxing to prelims & rear ffe. Overall a good hardback copy...
Yale University Press, 2020. 4to, 438pp. Colour and black & white illustrations. A very good hardback copy in like dust jacket.
Melbourne University Press, Melbourne, 1964. 8vo, 204pp. Black & white illustrations. A very good hardback copy in dust jacket with marked spine. From the library of Australian art historian, Ann Galbally.
Bridgman Publishers, 1938. 8vo, 64pp. Black & white illustrations. A good hardback copy in worn dust jacket. From the library of Australian artist, Kenneth Jack, with his bookplate.
Monash University, The Ancora Press, 1997. 8vo, unpaginated. A very good staplebound copy. Limited edition, No., 47 of 200 copies.
Museum of Modern Art, New York, 2012. Large 8vo, 182pp, colour and black and white illustrations. A near fine paperback copy.
Middlesex Polytechnic, 1981. Small 4to, 60pp, black and white illustrations. A very good staple bound paperback copy. Front cover creased and foxed.
Middlesex Polytechnic, 1981. Small 4to, 64pp, black and white illustrations. A good staple bound paperback copy.
Middlesex Polytechnic, 1983. Small 4to, 68pp, black and white illustrations. A very good staple bound paperback copy.
Middlesex Polytechnic, 1980. Small 4to, 60pp, black and white illustrations. A very good staple bound paperback copy.
Acquavella & Rizzoli, 2023. 4to, 176pp. Colour illustrations. A very good hardback copy in like dust jacket.
The Beagle Press in conjunction with Art Gallery of New South Wales, 1993. 4to, 200pp. Colour and black & white illustrations. A very good paperback copy. Published in conjunction with the exhibition,
Steele Roberts Aotearoa, Wellington, 2017. 8vo, 168pp, colour illustrations. A very good paperback copy.
Warrnambool Uniting Church, Warrnambool. 1997. 4to, 211pp. A very good hardback copy without dust jacket. One significant bump to edge of covers. Pages of Errata glued in.
McGill-Queen's University Press 2005. Hard cover Fine in fine dust jacket. Sewn binding. Cloth over boards. 240 p.
Greensborough Press, Melbourne. 1982. Reprint with additional items. 8vo, 44pp. A very good hardback copy.
Clarendon Press, Oxford. 1985. 8vo, 287pp, with black and white illustrations. A very good hardback copy, in like dust jacket with lightly sunned spine. Inscribed by author to front endpaper.
Art Gallery of New South Wales. 2003. 4to. 208pp. Colour and black & white. A near fine paperback copy.
Craftsman House, Sydney, 1989. First printing. 4to, 150pp. A very good hardback copy. Lacking slipcase. Limited signed edition, No. 28 of 75. Signed by Connor. Lacking print.
Craftsman House, Sydney. 1989. First printing. 4to, 150pp. A near fine hardback copy in like slipcase. Number 62/75 signed by Connor and including a print.
Hodder Moa Beckett, Auckland, 1996. Large 8vo, 216pp, with colour and black and white illustrations. A very good hardback copy in like dust jacket.
A.H. & A.W. Reed, Wellington, 1965. 8vo, 158pp, black and white illustrations. A good hardback copy in rubbed and edgeworn dust jacket. Tanned fore edges. Includes original silver gelatin photo porrait of the author.
Reed, Wellington, 1970. 8vo, 155pp, black and white illustrations. A very good hardback copy in lightly edgeworn dust jacket with 4cm clean tear to front. Foxed fore edges.
THames and Hudson, London. 1977. 4to, 249pp with several fold out maps and many black and white plates. A very good hardback copy in like dust jacket.
Australian Society of Hypnosis, Melbourne. 1998. 4to, 375pp. A near fine hardback copy bound in blue boards.