Item 103297ENCOUNTERS WITH HELLENISM. Studies on the First Letter of Clement.
Brill, Leiden, 2004. 8vo, 231pp. A near fine hardback.
Brill, Leiden, 2004. 8vo, 231pp. A near fine hardback.
Overland, Melbourne, 1957. Large 8vo, 93pp. A good hardback copy in worn dust jacket. Previous owner's name. Number 122 o 200 subscription copies signed by the author.
Klaus Reprint Co., New York, 1969. 8vo, 171pp, black and white illustrations. A very good hardback copy with slightly faded spine.
University of Queensland Art Museum, 2002. 4to, 111pp. Colour illustrations. A very good paperback copy.
Hodder & Stoughton, London, 1907. 4to, 133pp text followed by 50 tipped in colour plates. A very good hardback copy in gilt stamped vellum boards lacking ribbon ties. Bookplate of Kingsley Norris on endpaper. Boards foxed with discoloured spine. Intermittent foxing. Number 224 of 350 copies signed by Edmund Dulac.....
Kegan Paul, Trench, Trubner & Co., London, 1896. 8vo, 138pp, black and white illustrations. A good hardback copy in rubbed boards with faded spine. Intermittent foxing.
Jonathan Cape, London, 1923. First edition. Printed in an edition of 750, with 250 on handmade paper, numbered and signed by author. This copy is No. 243. 8vo, 61pp. A good hardback copy in marbled boards and cloth spine. Edge wear to boards. Spine lightly scuffed. Toned fore edges. Heavily.....
The Plough Press, 2004. 8vo, 128pp. Colour and black & white illustrations. A near fine hardback copy in like dust jacket. Remainder mark.
MIT Press, Cambridge. 2001. 8vo, 568pp. A near fine hardback copy in like dust jacket with a remainder mark.
MIT Press, Cambridge. 2001. 8vo, 568pp. A near fine hardback copy in like dust jacket. Remainder mark.
MIT Press, Cambridge. 2005. 8vo, 276pp. A near fine paperback copy. Remainder mark.
Art and Australia, Craftsman House, Sydney. 1998. Square 8vo, 59pp, with colour and black and white illustrations. A good hardback copy with faded spine. From the publisher's archives with publishing information sheet on front end paper.
Art and Australia, Craftsman House, Sydney, 1998. Square 8vo, 59pp, colour and black and white illustrations. A good hardback copy with faded spine.
William Heinemann, London. 1928. No. 168 of 360 copies, signed by author and illustrator. 4to, 46pp, with tipped-in plates. A very good hardback copy in slightly edgeworn dust jacket. Some very mild foxing. Number 168 of 360 copies signed by John Masefield and Irving.
Thames & Hudson, 2009. 4to, 255pp. Colour illustrations. A very good hardback copy in like dust jacket.
W. Thomas Taylor, Austin, 1977. 4to, 62pp. A very good hardback copy. Edges, prelims and rear pages foxed. Limited edition of 350 copies.
J. E. Nicholls, London. N.D. 8vo, 172pp, b/w wood engraved illus from the original drawings by Jacque & Fussell. A good hardback copy bound in original blindstamped brown cloth which is heavily browned. All edges gilt. Bookplate on front endpaper. Age spotting to contents.
Hackett, 2006. 8vo, 252pp. A near fine paperback copy.
Hart-Davis, London. 1959. 4to, 38pp of text, plus 88 black and white illustrations. A good hardback copy in a worn dust jacket. Previous owner's bookplate.
Cupid Press, London. 1952. 4to, 47pp of text, plus 82 black and white illustrations. A good hardback copy in black cloth. Previous owner's signed bookplate. Edition of 550 of which this is no. 63, signed by the artist.
Heinemann, London. 1946. 8vo, 210pp, duotone illus. A very good hardback copy in a shelf worn, lightly soiled dust jacket.