Item 81062A CRUISE IN AN OPIUM CLIPPER.
Ibex, Melbourne. 1989. Reprint of 1891 edition. 8vo, 224pp. A near fine hardback copy in dark red leather boards. With illustrations.
Ibex, Melbourne. 1989. Reprint of 1891 edition. 8vo, 224pp. A near fine hardback copy in dark red leather boards. With illustrations.
Anthropological Society of NSW, 1943. 8vo, 76pp. A very good paperback copy. Details a collection of rock art paintings from New South Wales.
World Ship Society, 1982. 8vo, 120pp. Black & white illustrations. A very good paperback copy.
Verity Hewitt, Canberra. 1958. 8vo, 64pp. A very good paperback copy with previous owner's name on title page. Some discolouration.
Angus and Robertson, Sydney, 1917. Third and Enlarged Edition. Small 8vo, 124pp, black and white illustrations. A good hardback copy in chipped and stained dust jacket. Offsetting and foxing to end papers. 2 cm loss to top of dust jacket spine.
The Hawthorn Press, Melbourne, 1970. 8vo, 75pp. Black & white illustrations. A good hardback copy in like dust jacket.
Lothian Publishing, 1926. Small 4to, 234pp. Colour plates tipped in. A very good hardback copy. Boards rubbed and worn at the corners. Previous owner's inscription and bookplate. Limited to 1000 copies of which this is number 398. Signed by the president and secretary of the Gordon Memorial Commitee. From the.....
Gippsland Art Gallery, 2015. Small 4to, 446pp. Colour illustrations. A very good paperback copy. First edition of 500 copies. Signed by Simon Gregg.
The University of Melbourne Museum of Art. 4to, 176pp, colour & b/w illus. A near fine paperback copy.
Grey Walls Press, London. 1950. Large 8vo, 62pp. A very good hardback copy in like dust jacket.
The Beagle Press, Sydney, 2018. Square 4to, 180pp. Colour and black & white illustrations. As new hardback copy in shrink wrappers.
Andrew Dakers, London. 1943. First edition. 8vo, 312pp. A good hardback copy with edges foxed. In a price clipped dust jacket with rear flap soiled & darkened.
Barnes & Noble, 1974. 8vo, 509pp. Black & white illustrations. A very good hardback copy in lightly edgeworn dust jacket.
Oxford University Press, London. 1938. 8vo, 287pp. A good hardback copy in like torn, price-clipped dust jacket. Pervious owner's gift inscription on ffep.
Fanfrolico Perss, London. 1928. 8vo, 124pp. A very good hardback copy without dust jacket. Ex library but with only very minimal markings and no damage. Copy 610 of 725.
Cheshire, Melbourne. 1959. 4to, 69pp, with black and white illustrations. A very good hardback copy in green cloth boards. Housed in fair slipcase. Limited edition of 350 numbered copies. No. 174.
Robert C Littlewood, Melbourne, 1978. Small 4to, 130pp. Black & white illustrations. A very good hardback copy. Lacks slipcase. Limited to 350 number copies. This copy out of series.
William Blackwood & Sons, Edinburgh. 1932. First edition. 8vo, 256pp, b/w photographic plates, maps. A good hardback copy bound in blue cloth. Cloth is slightly marked, faded & yellow at edges with spine browned. Previous owner's name to front paste down endpaper.
Saltire Modern Poets, 1947. 12mo, 21pp. A good paperback copy. Covers marked and darkened.
Historia Productions, 1992. Large 8vo, 511pp. black and white ilustrations. A good hardback copy in like dust jacket.
The Endeavor Press, 1933. 8vo, 62pp. Black & white illustrations. A fair hardback copy with age-toned pages and foxing throughout. Boards edgeworn. Binding cracking at endpages. Previous owner's details.
Angus & Robertson, 1977. 4to, unpaginated. Black & white illustrations. A very good hardback copy in like dust jacket.
Angus & Robertson, 1977. 4to, unpaginated. Black & white illustrations. A very good hardback copy in dust jacket with faded spine. Beige dust-jacket version.
Macmillan, Melbourne, 1978. Small 4to, 72pp, black and white illustrations. A very good hardback copy in slighly faded dust jacket.
Angus & Robertson, 1966. 4to, 71pp. Black & white illustrations. A near fine hardback copy bound in quarter green morocco by Sangorski and Sutcliffe. In a very good slipcase. Limited edition, No. 124 of 500. Signed by Lindsay.