Monacelli Press, 2014. Small 4to, 176pp. Colour and black & white illustrations. A very good hardback copy. Corners rubbed. "There's a little Cubism, and a Ben Shahn-like linear quality, to novelist Kurt Vonnegut's drawings, but 1960s psychedelics seem to be more essential to understanding these (often colored) drawings." - The.....
Jonathan Cape, London, 1963. First UK edition. 8vo, 492pp. A very good hardback copy in like dust jacket. Foxing to fore edge of text block and front endpage which is marked. Bottom edge of boards stained. Stamped "Property of P. & O. Orient Lines" to title and final page. Pynchon's.....
Melbourne House, London, 1980. First edition. 8vo, 260pp. A very good hardback copy in like dust jacket.
Harper & Row, New York, 1988. First edition. 8vo, 210pp. A very good hardback copy. Dust jacket stained along top edge with faded spine. Top edge lightly foxed. Binding slightly canted. Inscribed by the author.
Nosukumo, 1991. 8vo, 39pp. A very good paperback copy with coffee stains to front cover. Edition limited to 100 copies. This copy is number 18.
Nosukumo, 1992. 8vo, 48pp. A very good paperback copy.
Greville Press, 1981. 12mo, 80pp. A very good paperback copy.
Champion Books, 1979. 8vo, 226pp. A very good paperback copy.
Champion Books, 1983. 8vo, 247pp. A very good paperback copy.
Champion Publications, 1977. 8vo, 132pp. A very good paperback copy. One thousand copies have been printed of this first edition.
Champion Press, 1988. 8vo, unpaginated. A near fine metal-cased teledex-like poetry 'book'.
Brunswick Hills Press, 1988. 8vo, 141pp. A very good hardback copy in like dust jacket.
Champion Books, 1983. 4to, unpaginated. Colour and black & white illustrations. A good hardback copy with some waving and foxing to edges of text block.
Champion Books, 1983. 12mo, 80pp. A very good paperback copy.
Macmillan and Co., London, 1929. 2 Vols., 4to, 143, 135pp. A good hardback set bound in quarter velum with decorated boards and gilt lettering to spine. Boards rubbed with some slight fading along edges. Damage to upper edge of board of Volume 1. Limited to 325 copies.
Cambridge University Press, London, 1973. Small 4to, 138pp. Black & white illustrations. A very good hardback copy. Limited to 300 copies; this an out of series copy. An account of why 17 typefaces were cut at Morison's instigation for use at Cambridge University Press.
Hildesheimer & Faulkner, London, n.d., [c.1892]. Small 4to, unpaginated. Colour plates. A very good hardback copy, rebound with new endpapers. Brown cloth boards with decorative gilt embossed cover, lightly marked & worn. All edges gilt. Sparse age spotting & minor soiling to contents.
The Nonesuch Press, Bloomsbury, 1929. 4to, 30pp. A very good hardback copy with marbled dust jacket, frayed and yellowed at the edges. Number 1481 of an edition of 1525.
The Swan Press, Chelsea, 1927. 4to, 13pp. A very good hardback copy with cloth spine and papered boards with mild wear at corners and a small tear on rear board. Limited to 100 copies of which this is no. 60.
Libraries Board of South Australia, Adelaide. 1979. 4to, 284pp. Colour and black & white illustrations. A very good paperback copy bound in quarter green cloth with light green paper wraps. Covers edgeworn and lightly marked. Previous bookseller's label on half title page. Loosely inserted 8vo staple bound booklet titled "C.J......
Harper Collins, 2005. 8vo, 254pp. A very good hardback copy in like dust jacket and paper cover.
Santa Teresa Press, 1985. 8vo, unpaginated. A near fine hardback copy in like dust jacket. Limited to 350 copies of which this is no. 60. Signed by Deighton.
Faber & Faber, 2013. 12mo, 86pp. A very good hardback copy with a bump to top edge of front cover.
Faber & Faber, 1965. 12mo, 86pp. A very good paperback copy.
Harper, 2007. First edition. 8vo, 276pp. A very good hardback copy in like dust jacket. Inscribed by the author.